小绿 / LITTLE GREEN:THE POETICS OF THE ELSEWHERE
GuiZhou, China, 2019, @Xiong Yanzhi
单频录像 4K，13 分钟，循环播放，播放尺⼨可变
Land art, performance art, experimental music
Single channel video
13 mins, loop, 4K
Display dimensions variable
Location: Dong Village, Guizhou, China Courtesy of Intangible Cultural Heritage Center(ICHC) of QingDongNan Auto-prefecture, Guizhou,China
Wang ZhenXu, Chen GeShan, GuanLeXiao GengMingHui, Wang QiuHan, LiuZh, LuXiaoBao
LITTLE GREEN: THE POETICS OF THE ELSEWHERE
"The philosopher of the future is the explorer of ancient worlds, peaks and caves, who creates only in as much as he recalls something that has been essentially forgotten. That something, according to Nietzsche, is the unity of life and thought. It is a complex unity: one step for life, one step for thought."
Gilles Deleuze, Pure Immanence
小绿是有关于科技与自然、意识及意识朝向、图像与认知、以及空间边界的探索。视频中“音乐”的运用 是对图像节奏的“再”创作及突破，作曲结构以 d和声小调作为⾊彩基调，以当地古代乐器“Bic bac”与“Oh is”作为曲式的 特点，在音乐实验⽅面则以合成器及模块模拟自然声，把纯自然声编辑为电⼦ 音源作为 试听的虚拟反转，还原在感知经验中我们对声音边界的认识及探索。
Little Green is an exploration of technology and nature, consciousness and the orientation of consciousness, images and perception, and the boundaries of space. The use of "music" in the video is a "re-creation" and a breakthrough in the rhythm of images, with the compositional structure using D harmonic minor as the color tone, the local ancient instruments "Bic bac" and "Oh is" as the characteristics of the composition. In music experiment, synthesizer and module are used to simulate natural sound, pure natural sound is edited as electronic sound source as virtual inversion of audition, and our understanding and exploration of sound boundary in perceptual experience are restored.
作品的呈现方式则是从超越日常视觉经验的方向展开，小绿是在我们经验预测之内及之外的，当无人机拍摄下的“一面”作为“实在存在”时，这“一面” 含盖着丰富且抽象的虚指部分，视觉对象只能在视觉经验的预判中完成这一意识朝向。在此基础上展开我们从无人机视觉已知为“真”的小绿的客观存在， 而客观的“真”才是探讨客观何以产生及意识是如何把一个对象立义出来并赋予它存在的意义，这种对客观的信念及立意的意识行为它来自于哪里？
The work is presented in a way that transcends everyday visual experience, and Green is both within and beyond our empirical predictions. When the "side" captured by the drone is "real existence", this "side" contains a rich and abstract imaginary part, and the visual object can only accomplish this direction of consciousness in the prediction of visual experience. It is on this basis that we develop the objective existence of the little green known as "true" from the drone vision, and it is the objective "true" that explores how the objective arises and how the consciousness makes sense of an object and gives it meaning. Where does this act of consciousness come from?
Green takes the transformation of performance art itself into an audio-visual material as a starting point for inquiry, trying to find out how "crossing" and "transmission" work between different temporal boundaries and artistic categories in the present, in a musical way, parallel along time, but detached from it. In the moment of crossing, a non-temporal presence is created within time, allowing change to remain in the midst of the living and the unchanging.